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Former TVB actor Matthew Ko and his wife, businesswoman Christine Wong, publicly defended their 10-month-old daughter this week after a family travel video shared on social media triggered a round of unsolicited and derogatory comments focused on the baby’s appearance. The incident in Japan, intended as a routine update for fans, quickly became a flashpoint for discussing the persistent and toxic trend of criticizing minors online, prompting a swift and sharp rebuke from the child’s parents and sparking widespread support from other users.

The controversy began when Ko, 41, posted personal moments from the family’s trip, featuring Wong, 31, and their infant daughter. While many followers offered goodwill, the content quickly drew negative attention, with some users posting comments targeting the baby’s looks and, subsequently, Wong’s own appearance.

Wealth and Appearance Fuel Online Scrutiny

One widely circulated comment on the social media platform Xiaohongshu suggested the infant “didn’t inherit her dad’s good looks at all” and remarked critically on the mother’s face.

Christine Wong, who operates a successful chain of beauty salons and has expanded professionally into the finance sector, immediately pushed back against the anonymous critique. Employing a mix of humor and indignation, Wong retorted, challenging the commenter’s own appearance by asking if their face was “as sweet as a Wang Wang gummy candy?”

This pointed response struck a chord with many followers, who praised her wit and decisiveness. Online users rallied to the family’s defense, urging the couple to disregard the abuse and noting that the scrutiny seemed fueled by Wong’s profile as a successful entrepreneur. The couple’s December marriage announcement had already drawn significant media attention focused on Wong’s considerable wealth and business achievements, as well as her status as a divorcee with two children from a previous relationship.

Addressing the Broader Issue of Cyberbullying

The incident highlights a disturbing pattern of online behavior targeting the children of public figures. Experts note that while celebrities face constant scrutiny, extending that criticism to minors—especially infants—is a form of cyberbullying that requires clear boundaries and societal rejection. Such commentary, regardless of intent, can normalize the trivialization of appearance, fostering a judgmental environment that harms both the mental well-being of the parents and, eventually, the child.

Despite his wife’s considerable success, Matthew Ko has maintained focus on his own career, clarifying that he is not financially dependent on her. The former leading man has recently sought to diversify his professional image, including joining the “uncle” boyband Give Me Five and engaging in modern entertainment outlets like live streaming and participating in online dance challenges.

This family’s experience serves as a reminder to the public and social media platforms about the necessary vigilance against malicious commentary and the importance of fostering a respectful digital environment that protects children from unwarranted public scrutiny. As public exposure through social media expands, so too does the responsibility to treat minors with decency and respect.

The enduring mystery surrounding the 2020 marriage of celebrated Taiwanese singer Wilber Pan and former Chinese flight attendant Luna Xuan has finally received clarification from the woman at the center of the controversy, often dubbed “Sister Amy.”

In a recent move to quell years of fervent speculation involving alleged “pickup artist training camps,” Amy, an entertainment manager, used the Chinese social platform Xiaohongshu to share a personal account of how she facilitated the initial meeting and subsequent courtship between the now-married couple, who reportedly welcomed a daughter in 2020. Her narrative directly challenges Pan’s previous public statement regarding the genesis of their romance, renewing public interest in the relationship’s true origins.

Addressing the “Training Camp” Theory

Since Pan, 45, and Xuan, 31, announced their nuptials, their exceptionally low-profile union has been overshadowed by persistent rumors. These gained traction primarily due to a widely circulated 2020 social media comment by Chinese billionaire heir Wang Sicong, who praised “Sister Amy” for apparently guiding both Xuan and Moka Fang—the wife of Hong Kong superstar Aaron Kwok—into high-profile marriages.

This comment fueled conjecture that Amy had established an elite social-etiquette or “training camp” designed to coach women on strategically marrying celebrities.

Amy, however, decisively refuted the existence of any formal program. She explained that her involvement was strictly limited to private introductions between friends. “I only privately introduced friends to one another,” she affirmed, insisting there was never an actual “training camp.”

Orchestrating an Intimate Matchmaking Process

Amy revealed that the introduction originated from Xuan herself. Expressing admiration for Pan’s music and a desire to connect, Xuan approached Amy—a mutual friend—about an introduction.

Far from a chance encounter, Amy detailed a deliberate, multi-stage process she implemented to foster a natural environment for the pair to connect. Initially, she organized large-scale, casual gatherings, such as karaoke nights, involving up to twenty people. Over time, these groups were systematically pared down, evolving into small, intimate dinners of just four to six attendees. This increasingly private setting allowed Pan and Xuan to interact organically and build a rapport far removed from the pressures of larger social scenes.

Amy noted that Xuan’s demeanor during these gatherings—described as quietly polite—distinguished her from the highly competitive social dynamics often seen in Shanghai’s elite circles. Sensing a favorable impression from Pan toward Xuan, Amy began strategically focusing conversations, creating dedicated opportunities for the two to engage in deeper dialogue. She characterized this approach as identifying a person’s unique “spark” and nurturing it until a connection is solidified.

Discrepancy Raises New Questions

Interestingly, despite her instrumental role in their introduction, Amy stated she was unaware of the timeline for their relationship progression, claiming she only learned about their marriage via public news reports.

The most notable outcome of Amy’s disclosure is the conflicting account it presents compared to Pan’s earlier statement. The pop star had previously claimed that he and Xuan met purely by chance on a commercial flight. This newly revealed discrepancy between Amy’s intricate matchmaking process and Pan’s narrative of spontaneous serendipity has inevitably led to renewed public scrutiny regarding the relationship’s factual foundation, ensuring the high-profile couple remains a topic of widespread discussion across Asian entertainment media.

HONG KONG — Veteran Hong Kong actor and martial arts choreographer Willie Lau, publicly known by his stage name Wai Lit, recently confirmed the identity of an estranged son who had taken to social media in a public attempt to reconnect after two decades of separation. The dramatic digital appeal began when a user identified only as “Mic” posted a childhood photograph on Threads, hoping the internet could facilitate a reunion with his biological father, the 73-year-old supporting actor.

Mic, whose full name the actor later revealed to be Lau Ying Fung (English name Michael), posted a plea seeking contact with his father, stating their relationship ceased following his parents’ separation and subsequent intermittent contact. Lau Ying Fung revealed he had lost his father’s only phone number over a decade ago. The post quickly gained traction among local netizens, with some suggesting avenues like seeking assistance from the local program Scoop to aid the search.

The public nature of the search was startling to many, as Wai Lit has maintained a notably private persona concerning his personal life, only once revealing a debilitating period of grief following the death of his late wife years ago.

Actor Confirms Paternity and Shares Background

Contacted by media outlets, Wai Lit confirmed that the young man in the photo, estimated to be around 28 or 29 years old, is indeed his eldest son. “His name is Lau Ying Fung, English name Michael. I gave him both names,” the actor confirmed.

Wai Lit provided a rare glimpse into the circumstances surrounding his separation from his son’s mother, describing her as significantly younger and immature at the time of their relationship. He recounted that his mother’s disapproval of the partner, who allegedly struggled with being “unsettled” after childbirth, ultimately led him to separate from her.

The actor detailed the difficult breakup, noting that his request to retain custody of his son was rejected by the mother. He asserted that the mother only reached out when financially strained, leading him to eventually stop pursuing visits. Wai Lit did, however, recall a brief, unexpected reunion when his son was nine years old; the boy stayed with him for several weeks before his mother retrieved him, marking the last time they saw each other.

Conflicting Narratives Emerge

Lau Ying Fung’s initial social media post mentioned declining a past invitation from his father to a birthday banquet, possibly due to Wai Lit having started a new family. However, the actor vehemently denied extending any such invitation, stressing that he has not had contact with his son since the boy was nine.

Ironically, while his son searched online, Wai Lit revealed that he too had been conducting his own digital search for over a decade. “I searched using his Chinese and English names,” he stated, noting the difficulty of finding a specific individual among numerous “Michael Laus” online without recent photographs.

When asked about potential feelings of guilt regarding his son’s upbringing without him, Wai Lit offered a blunt “No.” Yet, he admitted to an earnest desire to finally reunite. “After all, I’m old now. I want to see my boy again while I’m still alive,” the actor expressed.

Following the media attention, Lau Ying Fung’s original post on Threads was subsequently deleted, leading to speculation about the status of the potential reunion. This public search highlights the complicated, sometimes messy intersection of personal family history and the pervasive reach of digital communication in modern life.